Past Events

Dudley Andrew's Lecture on Jean Renoir

Thursday, December 7, 2017 - 3:30pm
Language House, St. Mary's Hall, Multipurpose Room

The Film Studies Program and The Department of French and Italian
at the University of Maryland
present a lecture by

Professor Dudley Andrew, Yale University

on

Jean Renoir and the Novelists of His Father's Circle

Thursday, December 7, at 3:30pm
at The Language House, St. Mary's Hall.

Call for Papers: World Cinema and Television in French

Friday, September 9, 2016 - 9:00am
University of Cincinnati

Call for Papers:
World Cinema and Television in French
September 9-10, 2016 ∙ University of Cincinnati, USA

Sponsored by Contemporary French Civilization, The University of Cincinnati & The University of Rhode Island

Confirmed Keynote Speaker: Bill Marshall (University of Stirling)

Confirmed Roundtable Participants: Joseph Mai (Clemson University), Mireille Rosello (University of Amsterdam), Sylvie Durmelat (Georgetown University), Thibaut Schilt (College of the Holy Cross)

2016 Graduate Colloquium on Cinema and Theory: Post-Cinema

Friday, January 29, 2016 - 2:00pm
Friday, February 12, 2016 - 2:00pm
Friday, February 26, 2016 - 2:00pm
Friday, April 29, 2016 - 2:00pm
3132 Tawes Hall

The colloquium will address theorizations of the current state of cinema as a medium. Among the topics that we will discuss are: the advent of the digital and the question of medium specificity, the supposed death of cinema and its afterlife, and the rise of globalized filmic forms.

GSFC Annual Film Symposium: The Postman Always Rings Twice - A History of Textual Obsession

Friday, April 8, 2016 - 8:30am
St. Mary's Hall

The Graduate School Field Committee and the Undergraduate Program in Film Studies invites you to a conference dedicated to the cinematic adaptations and remakes - the insistence and influence in cinema - of James M. Cain's novel The Postman Always Rings Twice (1934). The conference will gather specialists of film, literature, and comparative media and will focus on the various versions of The Postman story in order to explore the reasons this story has so often been turned into a "textual opportunity" for filmmakers, writers, and critics in a diverse set of geographical locations.

Pre-Screening & Meet-and-Greet with Richard Linklater's Everybody Wants Some

Friday, March 25, 2016 - 3:45pm
0320 Tawes Hall

Please join Film Studies at UMD on Friday, March 25th at 4:45pm for a pre-screening and meet-and-greet with the cast of Richard Linklater’s newest film, Everybody Wants Some.

A “spiritual sequel” to Dazed and Confused set in the world of 1980 college life, Everybody Wants Some is a comedy that follows a group of friends as they navigate their way through the freedoms and responsibilities of unsupervised adulthood.

2016 Graduate Colloquium on Cinema and Theory: Post-Cinema

Friday, January 29, 2016 - 2:00pm
Friday, February 12, 2016 - 2:00pm
Friday, February 26, 2016 - 2:00pm
Friday, April 29, 2016 - 2:00pm
3132 Tawes Hall

The colloquium will address theorizations of the current state of cinema as a medium. Among the topics that we will discuss are: the advent of the digital and the question of medium specificity, the supposed death of cinema and its afterlife, and the rise of globalized filmic forms.

Screening & Conversation with Peter Garofalo, UMD Film Studies Alum

Tuesday, February 23, 2016 - 5:00pm
0320 Tawes Hall

Please join Film Studies at UMD for a conversation with Peter Garofalo, a UMD Film Studies Alum, on Tuesday, February 23rd at 5:00pm in 0320 Tawes Hall. There will also be a screening of multiple episodes of Peter’s self-produced show, “A Man Walks Into A Bar.” This event is free and open to the public.

2016 Graduate Colloquium on Cinema and Theory: Post-Cinema

Friday, January 29, 2016 - 2:00pm
Friday, February 12, 2016 - 2:00pm
Friday, February 26, 2016 - 2:00pm
Friday, April 29, 2016 - 2:00pm
3132 Tawes Hall

The colloquium will address theorizations of the current state of cinema as a medium. Among the topics that we will discuss are: the advent of the digital and the question of medium specificity, the supposed death of cinema and its afterlife, and the rise of globalized filmic forms.

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